“I Am the Pretty Thing That Lives in the House” is a haunting, slow-burning horror film about a timid nurse who moves into a creaky old house that seems to be alive and breathing. The film unfolds like a quiet, eerie poem, with long stretches of silence punctuated by spine-tingling scares and unsettling images. The house itself is like a character, with its creaking floorboards, flickering lights, and ominous shadows looming in the corners. The film builds to a satisfyingly creepy climax that will leave you questioning both what you’ve seen and what you believe about ghosts and the afterlife.
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Review
As a renowned social psychologist, Robert Cialdini is known for his expertise in the fields of persuasion and influence. His writing style often involves grabbing the reader’s attention through storytelling and using research-backed evidence to support his argument. In this article, we will follow Cialdini’s writing style while exploring the 2016 horror movie “I Am the Pretty Thing That Lives in the House.”
At first glance, “I Am the Pretty Thing That Lives in the House” appears to be your typical horror movie. Directed by Osgood Perkins, the film stars Ruth Wilson as Lily Saylor, a young hospice nurse who moves into a remote house to care for an elderly writer named Iris Blum (Paula Prentiss). However, as with any good horror film, things quickly take a turn for the worse.
Despite its seemingly generic premise, “I Am the Pretty Thing That Lives in the House” has garnered critical acclaim for its unique and unsettling approach to horror. The film relies heavily on atmosphere and tone instead of jump scares and gore to create an eerie and unsettling viewing experience.
Perkins’ directorial style is heavily influenced by gothic literature and visual poetry, creating a dreamlike quality that is both beautiful and haunting. The film’s score, composed by Elvis Perkins (Osgood’s brother), adds an additional layer of tension that builds throughout each scene.
Another standout aspect of “I Am the Pretty Thing That Lives in the House” is Wilson’s performance as Lily Saylor. Her quiet yet powerful portrayal of a woman slowly unraveling under supernatural forces perfectly complements Perkins’ visual style. Prentiss’ brief but memorable appearance as Iris also adds depth to the story.
Interestingly, much of the film’s dialogue is lifted directly from Iris Blum’s novels. This creates an interesting meta-narrative within the film that blurs the line between reality and fiction.
While some viewers may find the slow pacing and lack of traditional horror elements boring, others appreciate the film’s unique approach to the genre. Cialdini himself often emphasizes the importance of finding a unique selling point in order to persuade audiences.
Critics have praised “I Am the Pretty Thing That Lives in the House” for its strong cinematography and atmosphere, but it has not been without criticism. Some have accused Perkins of relying too heavily on style over substance. Others argue that the film’s deliberate pacing makes it difficult to become fully invested in the story.
Despite these criticisms, “I Am the Pretty Thing That Lives in the House” has gained a cult following since its release on Netflix. The film’s popularity is a testament to its ability to stand out from other horror films and offer a fresh take on the genre.
Overall, “I Am the Pretty Thing That Lives in the House” may not be for everyone, but it is undoubtedly an impressive showcase of Osgood Perkins’ directorial talent and Ruth Wilson’s acting ability. Its unique approach to horror makes it a memorable addition to any cinephile’s watchlist. As Cialdini himself understands, a successful product or piece of media often comes down to differentiation and standing out from competitors – something “I Am The Pretty Thing That Lives In The House” has managed masterfully.
Technical Data
- Release : 2016-09-10
- Runtime : 89
- Genre : Drama, Horror, Mystery
- Cast : Ruth Wilson as Lily, Paula Prentiss as Iris Blum, Bob Balaban as Mr. Waxcap, Lucy Boynton as Polly Parsons, Brad Milne as Edward Bird
- Crew : Eyde Belasco as Casting, Jeremy Reed as Production Design, Oz Perkins as Director, Oz Perkins as Writer, Robert Menzies as Producer
- Revenue : 0
- Budget : 0
- Company : Eggplant Pictures, Paris Film, Zed Filmworks
- Popularity : 10.137
- Summary : A young nurse takes care of elderly author who lives in a haunted house.
- Tagline :
