“2 or 3 Things I Know About Her” is a French film from 1967 about a woman’s life in modern society. The film is an allegory for the fragmentation of society and the breakdown of traditional values. It is shot in a fragmented, disjointed style, reflecting the disordered nature of modern life. The film explores themes of alienation, isolation, and existential despair through its stunning visuals and poetic language. It is regarded as one of the masterpieces of French cinema.

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Review
In the 1960s, French filmmaker Jean-Luc Godard was at the forefront of a cinematic revolution. He was part of a group of filmmakers known as the New Wave, who sought to break free from traditional filmmaking conventions and create a new form of cinema that was more personal and expressive.
One of Godard’s most notable films from this period is “2 or 3 Things I Know About Her,” which tells the story of a housewife who moonlights as a prostitute to make ends meet. The film touches on themes such as capitalism, consumerism, and the dehumanizing effects of modern society.
The plot follows Juliette Janson, played by Marina Vlady, as she navigates her double life. By day, she’s a doting mother and housewife in suburban Paris. But at night, she transforms into “Marianne,” an alter ego who services clients in a high-rise apartment complex.
Godard uses Juliette’s story as a vehicle to explore larger social issues. The film is filled with scenes that comment on everything from urbanization to advertising to the Vietnam War. But despite its heavy themes, “2 or 3 Things” is not without its humor and humanity.
The character of Juliette/Marianne is especially compelling. Vlady gives a nuanced performance that captures both the vulnerability and strength of this woman who’s forced to live two lives. In one scene, she breaks down crying in her car after servicing a client. In another, she laughs at the absurdity of her situation while smoking a cigarette in bed.
One iconic scene from the film takes place in a café where two characters engage in a philosophical conversation about modern life while sipping coffee. Godard breaks up their dialogue with shots of cars driving by outside and people going about their daily business. It’s a commentary on how our lives are constantly interrupted by distractions.
Another standout aspect of “2 or 3 Things” is its cinematography. Godard employs a variety of techniques, such as jump cuts and split screens, to experiment with the form of the film. The result is a visually stunning work that’s as much about style as it is substance.
But despite all its strengths, “2 or 3 Things” was not a commercial success upon its release in 1967. It received mixed reviews from critics and failed to find an audience at the box office. However, over time, the film has come to be recognized as one of Godard’s masterpieces.
Today, “2 or 3 Things I Know About Her” remains a fascinating and provocative work that offers insight into both the filmmaker’s mindset and the cultural landscape of the time. It’s a film that challenges viewers to reexamine their beliefs about modern society and their place within it.
As Robert Cialdini might say, “2 or 3 Things” is a prime example of how art can be used to influence our perceptions of the world around us. Through its storytelling, characters, and visual style, it forces us to confront uncomfortable truths about ourselves and our society. And like any great work of art, it has the power to shape how we see ourselves and our place in the world for years to come.
Technical Data

- Release : 1967-03-17
- Runtime : 87
- Genre : Comedy, Drama
- Cast : Marina Vlady as Juliette Jeanson, Anny Duperey as Marianne, Roger Montsoret as Robert Jeanson, Raoul Lévy as John Bogus, the American, Jean Narboni as Roger
- Crew : Anatole Dauman as Producer, René Levert as Sound, Raoul Coutard as Director of Photography, Jean-Luc Godard as Director, Jean-Luc Godard as Writer
- Revenue : 0
- Budget : 0
- Company : Argos Films, Anouchka Films, Les Films du Carrosse
- Popularity : 7.588
- Summary : As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
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