“Here Before 2022” is a haunting and suspenseful thriller that explores the thin line between reality and madness. A grieving mother, played with intensity by Andrea Riseborough, becomes obsessed with a new family who moves into her next-door neighbor’s house. As she delves deeper into their lives, she begins to experience increasingly disturbing visions and eerie deja vu moments. The film skillfully builds tension and keeps the audience guessing until its shocking and devastating conclusion.
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Review
Here Before: A Hauntingly Beautiful Portrait of Grief and Reality
When Here Before premiered at the 2021 Sundance Film Festival, it generated a buzz among both critics and audiences alike. Directed by Stacey Gregg, this low-budget indie film perfectly captures the heart-wrenching emotions of a family struggling to come to grips with their tragic loss.
The storyline follows Laura (Andrea Riseborough) and her husband Matt (Jonjo O’Neill), who are still grieving the loss of their young daughter Josie. When a new family moves in next door, Laura becomes convinced that their daughter Megan is actually Josie reincarnated. As she struggles with reality, Laura becomes increasingly obsessed with Megan and her family.
The plot is intricately crafted, weaving together elements of grief, trauma, spirituality, and mental health. The film’s central theme -the concept of reincarnation- is explored in a way that’s both thought-provoking and moving.
As the plot unfolds, we see how each character deals with their grief in different ways. From Laura’s desire to see her daughter once more to Megan’s fear of being forgotten after death- Here Before delves deep into our primal fears as human beings. It’s an emotional journey that will leave its audience reeling long after the credits roll.
One particular scene that stands out is when Laura confronts Megan’s mother about her beliefs regarding reincarnation. It’s an intense moment where you can see Laura’s desperation for answers and acceptance. With haunting sound design by Niall Brady as well as brilliant cinematography from Chloe Thomson – this scene manages to convey both the fragility of life and how interconnected we all are.
The performances in Here Before are top-notch across the board. Andrea Riseborough delivers a standout performance as Laura – conveying her character’s descent into obsession with such authenticity that it never feels forced or over-the-top. Jonjo O’Neill is equally impressive as the struggling husband trying to support his wife while coping with his own emotional turmoil.
The film’s supporting cast also shines, with Martin McCann and Eileen O’Higgins playing Megan’s parents. Together, they create a truly believable family dynamic that draws the audience into their world.
Throughout the film, dialogue is used sparingly, allowing for the visuals and sound design to take center stage. It’s a testament to both director Stacey Gregg’s vision and editor Colin Campbell’s ability to create a sense of dread that lingers long after you’ve watched it.
The delicate score by Neil Athale complements the visuals perfectly- creating an atmosphere that feels both dreamy and unnerving at the same time. The music is particularly effective in scenes where Laura becomes increasingly unhinged – emphasizing her growing paranoia and instability with haunting melodies.
Here Before is not just an experience – it’s an emotional journey that will stay with you long after you’ve left the theater. With its compelling characters, superb performances, immersive sound design, and stunning cinematography- this indie gem has quickly become one of Sundance 2021’s most talked-about films.
As we near the end of this review, it would be remiss not to mention how the movie was made under strict Covid-19 protocols. Despite these challenges, crew members managed to create a visually-striking film that delivers on every level.
Overall Verdict
Here Before is an exceptional work of art – one that weaves together heart-wrenching emotion and cinematic excellence into a hauntingly beautiful portrait of grief and reality. It’s a must-watch for any cinephile looking for an unforgettable experience at the movies. While it may not be for everyone due to its dark themes of child loss and mourning – those who seek out this indie gem will be rewarded with a piece of cinema that transcends mainstream conventions.
Technical Data
- Release : 2022-02-11
- Runtime : 83
- Genre : Drama, Mystery, Thriller
- Cast : Andrea Riseborough as Laura, Martin McCann as Chris, Jonjo O’Neill as Brendon, Eileen O’Higgins as Marie, Louise Mathews as Police Officer
- Crew : Pia Getty as Executive Producer, Nick Emerson as Editor, Brian Philip Davis as Editor, Chloë Thomson as Director of Photography, Eva Yates as Executive Producer
- Revenue : 0
- Budget : 0
- Company : BBC Film, Rooks Nest Entertainment, Screen Ireland
- Popularity : 5.028
- Summary : Haunted by the death of her young daughter, a distraught woman develops an all-consuming obsession with a girl she believes is her reincarnated child.
- Tagline : The living can haunt you.
